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As such, the exhibition explores the studio space as a site of performance.In the role of the protagonist of his artworks, Kentridge appears to probe and question the ideas and processes of vision and creativity.The exhibition features over 60 works of art – from architecture, to installation, photography and other media – with pieces dating from the 1960s through to today, as well as some of the museum’s most recent acquisitions from 20.Kentridge is the focus of a solo exhibition, Smoke, Ashes, Fable (20 October – 25 February), at St.Similarly, as a seminal figure in post-apartheid contemporary South African art working in a variety of media – including video, painterly and photographic mediums, and performance – Tracey Rose’s commissioned performance will act as a continuation of her practice and exploration into the intersections of race, gender and identity politics.Work by Kendell Geers can be seen in the Consortium Biennial Projects section of the event which is co-presented with White Box Arts Centre. The Museo Nacional Centro de Arte Reina Sofía in Madrid hosts a solo show, William Kentridge.

Kentridge explores the existential loneliness of wanderers, depicting them walking in a single file, moving from one country to the next, exchanging the familiar terror of war for the hope of an unknown destination.

The exhibition juxtaposes the work of Josef Albers, a single artist focused on the psychic and emotive qualities of colour, with African and African American artists who confront the historic and contemporary traces of colonialism as they contribute to the power of healing and renewal.

Kentridge directs Alban Berg’s libretto Wozzeck, which premieres at the Salzburg Festival (21 July – 30 August).

Through a dialogue between the displayed artworks and the remarkable hospital setting, the exhibition presents art as a powerful means of ‘working through’ layers of history.

The artist also delivers , a lecture-performance at Bruges’ Concert Hall on 17 October.

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